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During the ’70s and ’80s, if one got into an auto and said: “Chamrajpete, Amma’s house,” he/she would be driven straight to Dr Vijaya’s house. ‘Amma’ to all. She is Vijayamma the undisputed iconic Kannada woman. She is a poster woman for talent, intellect, bravery, honesty, feminism, friendship.

She is the spirit behind several important literary, cultural and social movements in Kannada. For example: Actor Rajkumar joined Gokak Chaluvali and united Kannadigas, making the movement a success because Vijayamma asked him to. Vijayamma is a legend in her own right. She was the first woman journalist in Kannada who acquired star status.

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She was referred to as the ‘Devi of Kannada’ (remember Eve’s Weekly?). She changed the very style of writing about cinema. Many a star craved to be called her friend and ran to her when in distress. She is witness to and an integral part of the cultural history of the city. Suchitra Film Society was her brain child. She brought the International Film Festival to Bangalore. She established a printing press, Ila Printers, way back in the 1970s through she which published women writers.

She brought out a unique magazine on arts titled Sankula. She was also instrumental in launching Namma Manasa, an intellectual magazine for women. She was the first woman to write and direct street plays in Kannada. She wrote her doctoral thesis on Sriranga, the playwright. Her penchant for picking up budding talents and nurturing them has resulted in scores of writers, journalists, actors and singers. STYLE OF SUBSTANCE Her trademark exquisite, starched cotton sarees, big bindi, glass bangles and a ready smile became a rage among the younger writers and journalists.

Even today it is called the ‘Amma look’. At a time when divorce was unheard of she took one and was a single mother to two sons. She wrote her SSLC exam along with her son. She went on to secure a degree, double post-graduate degrees and then a doctorate.

She worked 24x7 and still had time to attend to cultural and social causes. She never asked for help. Refused strongly even when offered. Every time various governments offered to confer the Rajyotsava award on her, she refused. She declared she would never accept any award instituted by the government, nor did she accept any support from the state. Every chief minister respected her and even feared her because she was incorruptible to an extreme. Whenever she felt uncomfortable, she just removed herself from the scene and moved on.

Her son B Suresh got the national award for best regional film for Puttakkana Highway. Her grandson Advaitha Gurumurthy got the Panasonic Dimensions award, with his team, for 3D filmmaking. BLESSINGS NOT AWARDS When I heard of her being conferred with Anupama Niranjana Award by the Karnataka Women Writers’ Association and the Masti Award, with immense joy and surprise, I went to meet her.

Free download movie. “Masti was a father figure to me. For all his traditional upbringing, he was a great support to me when I took the decision to become single. Earlier, I had criticised his title Raja Sevasakta, but after I came to know him I realised he was genuine. By the age of 82, he had stopped writing. So when I asked him to pen a short story for the Deepavali special edition, he said he had not written for 12 or 13 years. After I insisted, in 10 days time, he was asking me to choose from the 12 stories he had written.